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At one point in my life I had solemnly sworn not to take all things related to fashion too seriously for several reasons; but mainly because such issues simply aren't all that worthy.
I detect an almost immediate whiff of a dozen contradictory arguments, crossing 'virtual' mileage at the speed of light .. but guess what, I only dabble on the outskirts of this so-called field of fashion. I am as far removed from the artistic, socio-political, statement-driven forces that have, across the ages, substantiated Fashion (with the capital 'F'), as I am from those freshly filled kannoli (so far faar faaar away). I want to make precious things that make people happy.
And yes.. I do accept counter claims that all of this might very well be an escapist, non-committal, defence-mechanism-induced argument. I'm too non-serious about this not to.
However, in everything else connected to what I do, I am dead serious.. and to stretch the simile even further into the realm of action, I am about to prove how serious I am about perfect finishing and perfect fit and my 'one-off' service (unless otherwise stated) by actually leaving the comfy depths of my sofa and walk across towards the kitchen counter where those heavenly kannoli lie in a sterile tupperware box.
Following are photos of two projects I finished in the past week, projects that had been left hanging for quite a while.. torturing me with self-induced anxieties related to potential spoiling of the material as well as the fnal result. Worries that keep me awake (tis true!).. fears that accompany me to the last stitch.. I am pessimistic by nature.. especially where my true concerns lie.. I care about giving the client what they need but not necessarily what they want and since I'm not exactly the most diplomatic of persons, I worry again about pitching my idea as the natural option. I worry about not having 'the perfect' background in tailoring to embark on such projects; I worry about trying to introduce longer hems; about making sure that, since my time has become so limited, I attempt only portfolio worthy projects (but this rule I break everytime, much to my surprise and ultimate satisfaction); and I also worry about worrying too much.
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This coat (above) was adapted from a souvenir kaftan big enough to shelter a family of 5.. it has hidden pockets, is fitted with handmade glass buttons which the said lady-client selected herself, and, given the lightweight material, the coat sways should she choose to dance in it.. the rounded 2-piece sleeves allow for easy movement and give the coat an overall casual-jacket feel reminiscient of trapeze coat shapes from my favourite period in fashion. The pattern helps greatly in this regard as well.
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And this is an olive green silk wonder.. primly belted at the waist, with a half oval cutout and aged motifs .. The long slits on each side gave the dress a distincly asian feel.. and it somehow came to remind me of In the Mood for Love (http://www.imdb.com/title/tt0118694/).. a film I had enjoyed slightly too much for my own good. The wearer carries it perfectly and I still think a pair of coral suede shoes would look best with it.
In conclusion... look at this painting by Kirchner. I had been a great admirer of his work for some time before I came across this (supposedly) portrait of his wife; so just imagine how my admiration tripled when in the picture I could see no-one but myself next to a primitive statue I happen to own. I enjoy entertaining thoughts about past-lives where I smoked cigarettes elegantly and a possible time warp where I still wore statement brooches and drank hot drinks in tiny cups.
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